(Where the Heart Beats) [PDF/EPUB] » Kay Larson
And many of these artists have seemingly moved onBut the core of Cage will never grow old he allowed himself to consider tradition and formulate different ules he allowed himself to approach from a different direction time place He found and entered previously invisible doors closed others created or ignored still others And that approach to life never changedHe left himself open to the world not as he saw it but as it might beI haven t even begun to explore all the tangents of information contained in this book but I did watch Cage performing Water Walk on I ve Got a Secret just google it and I advise you to do the same Truly delightful Most bios and studies of John Cage acknowledge that in the middle of the century Cage became interested in first Hindu philosophy and then Zen Buddhism and that studying these things shaped his subseuent works and substituted for psychoanalysis in his personal life Few of the scholars who note this however have eally explored exactly what that means Kay Larson s new book brings its strongest focus precisely on the period between 1948 and 1952 when Cage s ideas were undergoing their most radical change These years correspond to a number of key events in his life his trips change These years correspond to a number of key events in his life his trips Black Mountain College his taking classes with DT Suzuki at Columbia University his meeting with artist Robert Rauschenberg the formation of the Merce Cunningham Dance Co Larson is to be applauded for the detailed consideration she gives to Buddhist thought and Cage s elationship to those ideas V have never encountered such a thoughtful analysis of Cage s most infamous work 4 33 and it s follow up 0 00 Larson helps the eader understand that these works are far from Dadaist pranks or anti music but works of profound spiritual engagement with the nothing of Zen teachingsThat said the book has some structural peculiarities that are annoying and there are some errors and un edited mistakes that weaken the book as a whole i mean if she can t spell Aaron Copland s name correctly how do i accept what she says about him But ultimately these errors are a few embarrassing burps in what is otherwise a satisfying meal How nice in Cage s centennial year to have a work that is accessible to non musicians that makes clear Cage s continuing elevance to us today I loved the first 150ish 200 pages of this book I knew little about John Cage and found it fascinating to learn about his history in general and his time here in Seattle I m down with Buddhism and
enjoyed learning about DT Suzuki s introduction of Buddhism to America and thoroughly enjoyed eading about the art learning about DT Suzuki s introduction of Buddhism to America and thoroughly enjoyed eading about the art in New York at the timeUntilsomething happened about 200 pages into the book where it was just a hot mess of uninteresting and unfinished work I was looking forward to hearing from John Cage s writing and less from the author s tenuous assumptions about John Cage and Suzuki s work I skim ead the pe At the outset I didn t care for cage By the end I joined Larsen in lov. Morton Feldman and Leo Castelli who all went on to evolutionize their espective disciplines As Cage’s story progresses as his students’ trajectories unfurl Where the Heart Beats shows the blossoming of Zen in the very heart of American culture Both an innovative biography and a ground breaking cultural history of the American Century Where the Heart Beats is the work of acclaimed art critic Kay Larson Following her time at New York Magazine and The Village Voice Larson practiced Zen at a Buddhist monastery in upstate New York Larson’s deep knowledge of Zen Buddhism her long familiarity with New York’s art world and her exhaustive original esearch all make Where the Heart Beats the definitive story about one of America’s most enduringly important artist. ,
Kay Larson æ 7 free ead,
Out how that is elated to his music and to his approach to art You get an idea but I am sure there is i loved eading this since it is the part of John Cage and his process which most interests me Wonderful John Cage 72412 Reviewed in yesterday s Times 8112 Had a bit of an accident in Elliott Bay Bookstore last night bought this and four other books 8612 Started eading this today having just finished the nonsensical Lost History of Skin I m hoping for a uick passage from the idiculous to the sublime 82512 Today I finally finished ploughing through it What a disappointment And what a shame what could have been a fabulous book turned out to be dreadful It s badly written badly edited and littered with inconsistencies and non seuiturs Ms Larson doesn t understand either abstract expressionism or post modernism is disdainful of Pollock and just wrong about
Oldenburg And somehow she manages to avoid even mentioning Reinhardt I learnedAnd somehow she manages to avoid even mentioning Reinhardt I learned single fact that 4 33 was originally conceived with the title Silent Prayer Also I found some of her discussion of the particularities of Buddhist belief and it s elevance to Cage of interest but it s always difficult when you know how mistaken a book is in the territories that you know well to trust it when it strays outside them Things must eally be on the slide at Penguin when they let a book like this out 9912 I kept fretting about it and decided I would after all eview it As or less a philistine when it comes to the avant garde and for the most part willfully ignorant of Buddhist philosophy I wasn t sure this book was for me But after a few false starts over a few years I m glad I committed to getting through it As LarsonCage puts it You can become narrow minded literally by only liking certain things and disliking others But you can become open minded literally by giving up your likes and dislikes and becoming interested in things This book is vast Larson s focus is John Cage but all that made him followed by all that he made encompasses the shifting ways of producing and experiencing art that was the Twentieth CenturyRevolution evolution the world evolved art evolved Cage took it all in and turned the mirror both out and in What eflected back was unpredictable startling a surpriseOf course the well known tipping point is Cage s piece 4 33 is silence music Or how often do we stop and find even one minute to leave empty for the world to fill for us with its own soundsLike Cage s embrace of Zen thinking every uestion suggests anotherIt would be impossible to summarize what *LARSON COVERS HERE AND ONE COULD *covers here And one could endlessly from Cage those to whom he was drawn and those who were drawn to him Often I found myself arguing with these artistic statements but I could never say they did not make me eact or cause me to consider my feelings about their actions and wordsIt s true a lot of what was bright and new in the art of the 20th century has turned into trite cliche surface fashion and advertising. Ser’s life and to the artistic avant garde of the 1950s and 60s Zen’s power of transforming Cage’s troubled mind by showing him his own enlightened nature which is also the nature of all living things liberated Cage from an acute personal crisis that threatened his life his music and his elationship with his life partner Merce Cunningham Caught in a society that ejected his music his politics and his sexual orientation Cage was transformed by Zen from an overlooked and somewhat marginal musician into the absolute epicenter of the avant gardeUsing Cage’s life as a starting point Where the Heart Beats looks beyond to the individuals he influenced and the art he inspired His circle included Robert Rauschenberg Andy Warhol Merce Cunningham Yoko Ono Jasper Johns. My detailed eview is here but the enthusiasm for this book at goodreads compels me to add to it I understand the appeal of this book but especially in this John Cage centennial year it provides a misleading and
shallow view of the man and his workThe influence of Zen thought on Cage s work isview of the man and his workThe influence of Zen thought on Cage s work is but it s a part of a whole Zen thought was a component of his move towards his encompassing philosophy of composition as process But it was just a part and as Cage moved through the decades much of that explicit thinking was eplaced by other ideas and ultimately Duchamp and Thoreau were important to himLarson passionately yokes Cage to her own faith and what she does is unfair The breathless psychological Romanticism is antithetical to the man she s constantly speculating about what he might have ead and how he might have thought about it and then making her case such as it is from those unsupported assertions Larson knows nothing about the music and is so uncomfortable with it that ather than having an opinion she defers to various critics This is a device perhaps suited for a high school English paper not here She obsesses over 4 33 and Music of Changes and this crowds out all the important beautiful music and art Cage created he was a composer after all not a philosopher and her later disavowed the overly determined chance processes from the Tao not Zen that he used for the latter work Very badly written and edited as well I know why this book was published but in the current version it should never have been publishedIf you want an introduction to Cage as he was and is Rob Haskin s new Critical Life is superb learned clear brief both truly loving and truly criticalRob Haskins I can t help it Any book that probes pushes and engages with John Cage I can t help it Any book that probes pushes and engages with John Cage I to eward with 5 stars Yes at times Larson does over egg the Zen Buddhist connections with Cage s work But there is a espectfulness and a igour a compassion and a care granted to Cage s life hereCage s uotations gleam through the book He was simply one of the most important influential and transformative people of the 20th century While most histories of the century focus on war brutality and violence Cage s 20th century evolution was enacted through silence uestioning eflection and indeterminacyI also wanted to note that this fine book engages and strongly with the ole of indeterminacy in Cage s writing pieces and life It is a strong trope and theory that binds the bookNext life I m coming back as John Cage Incredible man Magnificent writer Challenging thinker A treasure trove of informantion about John Cage and his music It wets the appetite to listen to of Cage s music and to ead about Zen Buddhism My only complaint that the otherwise engaging writing is often epetitive as if the author has written the short chapters over many years and then just stapled together This book focuses on John Cage and his elationship with Zen and Tao and it s very ich with thoughts ab. The first biography of composer John Cage to show how his work and that of countless American artists was transformed by Zen BuddhismOne of the greatest American composers of the twentieth century John Cage created music that defies easy explanation Many writers have grappled with Cage’s music which used notes chosen by chance andomly tuned adios and even silence trying to understand what his music means ather than where it came from An unprecedented and evelatory book Where the Heart Beats eveals what actually empowered Cage to compose his incredible music and how he inspired the tremendous artistic transformations of mid century America Where the Heart Beats is the first biography of John Cage to address the phenomenal importance of Zen Buddhism to the compo.